Thank You, Father Z
Tweet ThisJust when I needed it most, as I'm in the midst of the details of working with our new pastor to move our music ministry to our long-abandoned choir loft. (See: The Schizophrenic Choir Director)
A perfect post.
The good Father says in not so many words how I'm feeling:
The problem with putting a choir in front of everyone’s eyes (let’s not even contemplate putting them in the sanctuary where the clerical choir belongs) is that it gives the impression that the choir is performing. It gives also the wrong sense to the musicians (if they can be so called) as well.
It seems to me that making the choir too easily visible in the church places to much emphasis on their physical presence and appearance rather than on the prayer they contribute in the form of sacred music. Having the choir up front is just another distraction. Even for the members of the choir it is a distraction. [This is true. It's going to be a lot less pressure and a lot easier to do the mechanics of our work in the liturgy from the loft.
Moreover, in most older churches, the building’s acoustics will favor the positioning of the organ and choir in the choir loft. [This is certainly the case in our church.] A choir can usually sing without amplification when they are in a choir loft, thus avoiding yet another layer of artificiality in the sacred action.
Again I say: Thank you Father Z!
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The Schitzophrenic Choir Director
Tweet ThisThat's me: The Schitzophrenic Choir Director.
For the last 8 years, I've been a music director here at my home parish. For nearly all of that 8 years (save the last 2+ months), it was under our former pastor.
I have been happy to assimilate what I have known and experienced in liturgical music: contemporary influences from the 9 PM SLU Mass Choir and the Folk Choir at Notre Dame; our own parish's guitar Mass heritage; my own keyboard playing; a background in commercial music radio and programming; influences from both contemporary Catholic music publishers and traditional Catholic music organizations.
For 8 years, we've worked hard and built a fantastic (yes, I'm partial) ensemble and overall music ministry. Within those 8 years, we also built a splendid, new, large choir area in the front of our sanctuary.
But I've always been torn in two directions.
I've enjoyed what we've done and built. And I've seen its positive impact on our parish worship and parish life.
I'm also very traditional in my own personal liturgical preferences. As I've read about work on the "reform of the reform" elsewhere, there were many times I longed to integrate more traditional music and liturgical influence into my work in the parish. But I always stay allegiant and obedient to my pastor, and I was blessed that my past pastor was also a friend. And so I remained true to his direction in liturgical planning and work.
Our new pastor, however, is much more traditional in nature and preference. I like him a lot so far... he has a fantastic, fun personality and a great sense of humor. And he approaches liturgy with an unmatched dignity and reverence, and it shows.
Among the changes we're working toward is a move of our music ministry back up to the choir loft. Now I'll admit, I haven't sung in the choir loft at our church since I was in grade school, so I've been studying it much more in depth as we plan and prepare for the move.
On Tuesday night, I walked through it with the members of our ensemble. They're taking this all quite well.
We have our work cut out for us, but I'm really looking forward to this very positive first move for us into the choir loft.
I'm excited.
And maybe I'll be able to be less "schitzphrenic" over time.
As I reflect on that, move in that direction, and have things come up in that regard, I'll blog about them here.
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Bless this Blackberry
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In an article titled "UK Vicar Invokes God's Blessing On BlackBerrys", the AP (London) reports:
The Rev. Canon David Parrott blessed a symbolic heap of laptops and smart phones on the altar of London's 17th-century St. Lawrence Jewry church Monday. An effort, he said, to remind the capital's busy office workers that God's grace can reach them in many ways.
...
Parrott said the blessing ceremony was an update of a traditional back-to-work ceremony called "Plow Monday," in which villagers gathered to bless a symbolic farming implement dragged to the church's door. Parrott said that ceremony didn't have much relevance for his church, which was "nowhere near a field in the middle of London."
The church is near London's Financial District, and Rev. Parrott was looking for a way to make the service more "lively and relevant" to that crowd.
Man, why didn't I think of having my Blackberry blessed?
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Printable Liturgical Calendars
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Awesome! Michele over at The Family-Centered Life has posted some printable liturgical year calendars... gettin' ready for the New Year (at the start of Advent) in a few weeks.
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Memento Mori
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My Favorite Time of the Year
Tweet ThisToday (All Saints Day) kicks off my favorite time of the year.
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Christ and the Centurion
Tweet ThisThe Gospel from today's Mass readings is from Matthew 8, and is one of my favorites - it includes Matthew 8:8, which is the line when Christ, who was asked the the centurion to come to his home to heal his paralyzed servant, comes to the home and is exhorted by the centurion: "Lord, I am not worthy to have you enter under my roof; only say the word and my servant will be healed."
On a related notw, Father Martin Fox wrote a fantastic blog entry on the forthcoming updates to the English translation of the Missal, including a summary of a talk that was given last year by Bishop Arthur Serratelli, chairman of the U.S. Bishops' Committee on Divine Worship. I shared it with the Ensemble this week, and I share it with you here.
The words we speak together currently as the priest shows us the Eucharist before communion are a weak translation of Matthew 8:8, which will be restored as follows: "Lord, I am not worthy that you should enter under my roof, but only say the word..."
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A Violent Sqall Came Up
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Singing the Psalm this weekend, and hearing the Gospel, were interesting to me, as the story from both readings - and a particular line in the Gospel - brought back vivid memories of a day on the Chesapeake last summer with coworkers.
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Psalm 22
Tweet ThisI always love singing Psalm 22 at the Mass on Palm Sunday, when we also read the Passion of Christ at Mass. The verses used on Palm Sunday are from the beginning of the Psalm and are somewhat haunting on their own.

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Memento Mori
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Tonight at Holy Family was the annual Memorial Mass, or Mass of Remembrance, to which we invite the families of all of the parishioners who have passed away in the last year. This year, 43 parishioners passed away - 10 or so fewer than in each of the last few years, but still a pretty large number. All 43 families were invited to the Mass, and a majority were present. Our ensemble provides and leads the music, and it's one of the most beautiful and rewarding liturgies at which we're able to participate each year.
Please join us in praying for the Holy Family parishioners who passed on to eternal life this year...
(In order of death)
+ William Schooley
+ Dorothy Balsie
+ Irene Nelson
+ Martin Marciszewski
+ Mary Pieszchalski
+ Mary Buchek
+ Ann Konopka
+ Joyce Martin
+ Walter Kafka
+ Angela Hogan
+ Dorothy Coy
+ Alex Todoroff
+ Steve Ortiz
+ Richard Bronnbauer
+ James Kelahan
+ Marguerite Vrenick
+ Edward Wania
+ Dorothy Schardan
+ Viola Lindner
+ Raymond Becerra
+ Andrew Basarich
+ Anthony "Tony" Boyer
+ Kathryn J. Timar
+ Kathryn Sawicki
+ Elizabeth Aleen Purtle
+ Lawrence Richard "Dick" Roderick
+ Louis Reznack
+ Carol Holten
+ Rose Schmitt
+ Paula Margason
+ Dolores M. Fortner
+ Arthur Rossi
+ Eileen M. Reeves
+ Rosalie J. Aramowicz
+ Mary Rita Ahlers
+ Marilyn Goetting
+ Dawn Smith
+ Rebecca Mendoza
+ Ruth Lange
+ Ethel La Donna Narup
+ Veronica Linhart
+ Helen Lytle
+ Bernice "Bea" Lanahan
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